The Goatwoman of Corvis County at Shakespeare & Company

Variety Magazine said:

"Susan Zeeman Rogers' set design (mostly a kitchen and eating space, with a few cleverly placed alternative playing areas) works well with Matthew Miller's lighting."

The Goatwoman of Corvis County and Shakespeare & Company

CurtainUp.com said:

"With the help of lighting designer Matthew Miller, the several memory scenes are smoothly and clearly integrated into the present day action."

The reviews for the world premier Terrence McNally play CRUCIFIXION at The New Conservatory Theatre Center are in!


on the "handsome white-on-white box set...Matthew Miller's lights puncuate the action with photographic flashes"

-San Francisco Chronicle

"the design presents a visual tabula rasa that quickly reveals a hidden rainbow of muted colors, echoeing the deception of first impressions.� Matthew Miller's lighting morphs seamlessly from color-tinged washes to intimate pools of illumination."

-San Francisco Bay Times

"white-on-white set is very striking with brilliant lighting by Matthew Miller"

-Talkinbroadway.com

A review of The Sarimanok Travels at the Asian American Theatre Company:

The stage is minimal and covered in circled waves of rice symbolizing many things, not the least being the rice terraces of the Philippines and the scattered Filipinos.� It is as elegant as the performer himself... very effectively convey the different moods and characters.

The reviews are in on Rental Car at the Asian American Theatre Company:

Robert Hurwitt of the San Francisco Chronical noted:

"Nguyen stages the action straightforwardly, trying to heighten its noir aspects with sound and shadow- play effects on an intriguingly designed and lit, split-focus set by Matthew Miller and Bruce Cheung. The action is similarly split, as Park's characters pursue their quests for self-definition."

A review of The White House Murder Case by the Palo Alto (CA) Daily News:

"...set in both the Oval Office and the jungles of Brazil -- with simple, clever sets, the lighting complimented the production and scored the dramatic and melodramatic edge of the play quite nicely."

Rental Car at the Asian American Theatre Company

San Francisco Bay Guardian says:
"Matthew Miller's set ably conjures a swank bachelor pad from a few choice elements..."

The reviews are in on Eubie, at The Lorraine Hansberry Theatre:

Robert Hurwitt of the San Francisco Chronical said:

"Eubie... on an Art Deco set,
tastefully lit by Matthew Miller"